<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>TAIPEI</provider_name><provider_url>https://taipeirevista.com</provider_url><author_name>Agust&#xED;n Durruty</author_name><author_url>https://taipeirevista.com/index.php/author/agustindurruty/</author_url><title>La democracia en escena - TAIPEI</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="aOUDYkY9ii"&gt;&lt;a href="https://taipeirevista.com/index.php/2022/10/28/la-democracia-en-escena/"&gt;La democracia en escena&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://taipeirevista.com/index.php/2022/10/28/la-democracia-en-escena/embed/#?secret=aOUDYkY9ii" width="600" height="338" title="&#x201C;La democracia en escena&#x201D; &#x2014; TAIPEI" data-secret="aOUDYkY9ii" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://taipeirevista.com/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><thumbnail_url>https://taipeirevista.com/wp-content/uploads/2022/10/Argentina-1985.3.4.jpg</thumbnail_url><thumbnail_width>1149</thumbnail_width><thumbnail_height>765</thumbnail_height><description>"Argentina, 1985" poco se diferenciar&#xED;a de una hipot&#xE9;tica pel&#xED;cula oficial sobre el tema realizada en los a&#xF1;os ochenta (aunque, parad&#xF3;jicamente, es probable que hubiera tenido un impacto m&#xE1;s disruptivo al calor de los hechos), no tanto por sus modos como por su previsible tratamiento de los sucesos representados, confeccionada como postal para los manuales de historia. No cabe duda de que una mayor perspectiva, y el propio transcurrir de los a&#xF1;os, propician la indagaci&#xF3;n de zonas y problem&#xE1;ticas antes inexploradas(...)</description></oembed>
