{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Bruno Androvetto","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/brunoandrovetto\/","title":"Historias de la transpiraci\u00f3n (Primera parte) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6rBpAid4B0\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2020\/12\/04\/historias-de-la-transpiracion-primera-parte\/\">Historias de la transpiraci\u00f3n (Primera parte)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2020\/12\/04\/historias-de-la-transpiracion-primera-parte\/embed\/#?secret=6rBpAid4B0\" width=\"600\" height=\"338\" title=\"&#8220;Historias de la transpiraci\u00f3n (Primera parte)&#8221; &#8212; TAIPEI\" data-secret=\"6rBpAid4B0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2020\/12\/03.jpg","thumbnail_width":1366,"thumbnail_height":768,"description":"Bogdanovich filma como si el calor le pesase. Quien opera la c\u00e1mara se mueve con el ritmo cansino de los que no soportamos el calor y no nos alcanzan las manos para sacudirnos los bichos que nos rodean. Tal vez por eso este Bogdanovich sea tan diferente a otros Bogdanovich. El chorro de vitalidad le mana m\u00e1s despacio, como entre dientes, y Gazzara es el rostro impert\u00e9rrito de esa afluencia. Un monje que le ha dado toda la vuelta al loto y, ya sin salida, camina despacio, mastica el humo y escupe el fuego(...)"}