{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Lumiton: los doctores quieren cine (Abel Posadas) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AwTJIFy5g3\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2021\/03\/25\/lumiton-los-doctores-quieren-cine-abel-posadas\/\">Lumiton: los doctores quieren cine (Abel Posadas)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2021\/03\/25\/lumiton-los-doctores-quieren-cine-abel-posadas\/embed\/#?secret=AwTJIFy5g3\" width=\"600\" height=\"338\" title=\"&#8220;Lumiton: los doctores quieren cine (Abel Posadas)&#8221; &#8212; TAIPEI\" data-secret=\"AwTJIFy5g3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2021\/03\/Los.Verdes.Paraisos.1947.WEB_.x264-gooz.mkv_snapshot_00.00.09.856.jpg","thumbnail_width":654,"thumbnail_height":486,"description":"Lumiton no quiebra: cierra, simplemente, por factores pol\u00edticos, sindicales y, adem\u00e1s, porque la guerra que emprendi\u00f3 el personal t\u00e9cnico y art\u00edstico contra la plana mayor se hizo hacia 1949, insostenible. Al propio tiempo es necesario aclarar que por el ritmo de trabajo, Lumiton cont\u00f3, tal vez, con los mejores profesionales en lo que se refiere a inventiva: era el cine de la improvisaci\u00f3n y la rapidez, el del material barato pero que parec\u00eda extremadamente caro. Y para esto \u00faltimo, hace falta mucha imaginaci\u00f3n(...)"}