{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Blas Mart\u00edn","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/blasmartin\/","title":"Esto tambi\u00e9n pasar\u00e1 (17FestiFreak #1) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xVR9n0VrT2\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2021\/10\/13\/esto-tambien-pasara\/\">Esto tambi\u00e9n pasar\u00e1 (17FestiFreak #1)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2021\/10\/13\/esto-tambien-pasara\/embed\/#?secret=xVR9n0VrT2\" width=\"600\" height=\"338\" title=\"&#8220;Esto tambi\u00e9n pasar\u00e1 (17FestiFreak #1)&#8221; &#8212; TAIPEI\" data-secret=\"xVR9n0VrT2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2021\/10\/One-image-two-acts-5.png","thumbnail_width":1366,"thumbnail_height":768,"description":"El derrotero de la monumental construcci\u00f3n es seguida en paralelo por el tratamiento de las fotograf\u00edas: ajadas, rotas, restauradas, coloreadas o retocadas, marcan el comp\u00e1s del avance de la tecnolog\u00eda fotogr\u00e1fica y financiera, a la par que comprobamos c\u00f3mo el archivo, materialidad del pasado, soporte de aquello que llamamos memoria, tiene serias dificultades para sobrevivir al tiempo. El espa\u00f1ol firma su pel\u00edcula con una proclama marxista: \u201cen un abrir y cerrar de ojos \/ as\u00ed pasa la gloria del mundo \/ esto, esto tambi\u00e9n pasar\u00e1\u201d. \u00bfQu\u00e9 archivo estamos dejando para lxs que vendr\u00e1n?"}