{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Ezequiel Iv\u00e1n Duarte","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/ezeduarte\/","title":"La audacia y el c\u00e1lculo (17FestiFreak #2) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KBsRwESgtM\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2021\/10\/14\/la-audacia-y-el-calculo-17festifreak-2\/\">La audacia y el c\u00e1lculo (17FestiFreak #2)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2021\/10\/14\/la-audacia-y-el-calculo-17festifreak-2\/embed\/#?secret=KBsRwESgtM\" width=\"600\" height=\"338\" title=\"&#8220;La audacia y el c\u00e1lculo (17FestiFreak #2)&#8221; &#8212; TAIPEI\" data-secret=\"KBsRwESgtM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2021\/10\/Cumbres-y-cenizas-1.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"De eso hablamos: de la regla y de la excepci\u00f3n, de la necesidad de lo nuevo para la vida. Sin excepci\u00f3n, sin novedad (sin arte) no hay devenir, no hay metamorfosis. La regla, entonces, es ese \u201ccapitalismo depredador\u201d que pervierte el trabajo en \u201cpura negatividad destructora\u201d, como dice [Orestes] Di Lullo: \u201ctrabajo de todo el ser para matarse\u201d(...)"}