{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Instant\u00e1neas metropolitanas (Fray Mocho, 1894) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DOhVxpz5zY\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2021\/12\/08\/instantaneas-metropolitanas-fray-mocho-1894\/\">Instant\u00e1neas metropolitanas (Fray Mocho, 1894)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2021\/12\/08\/instantaneas-metropolitanas-fray-mocho-1894\/embed\/#?secret=DOhVxpz5zY\" width=\"600\" height=\"338\" title=\"&#8220;Instant\u00e1neas metropolitanas (Fray Mocho, 1894)&#8221; &#8212; TAIPEI\" data-secret=\"DOhVxpz5zY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2021\/12\/service-pnp-ppmsca-35300-35347v-1.jpg","thumbnail_width":922,"thumbnail_height":686,"description":"\"El siguiente art\u00edculo, publicado originalmente en el diario La Ma\u00f1ana de La Plata el 29 de octubre de 1894, constituye un documento de relevancia al ser el primer testimonio escrito que se preserva sobre la llegada a Argentina del kinetoscopio (...) El futuro fundador de la revista Caras y Caretas, activo art\u00edfice en la difusi\u00f3n local de los novedosos aparatos audiovisuales, vislumbr\u00f3 un indudable car\u00e1cter popular en el cine. Con su fervorosa desfachatez, Fray Mocho tambi\u00e9n inaugur\u00f3 una forma de vivenciar y escribir sobre las pel\u00edculas, desde una abolici\u00f3n de la solemnidad que hoy mismo es bienvenida.\" (De la introducci\u00f3n de Sebasti\u00e1n Santill\u00e1n)"}