{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Emilia Herrer\u00edas Mart\u00ednez","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/emilia-herrerias-martinez\/","title":"Autobiograf\u00eda de azul - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"a9aSDTJqpM\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2022\/08\/29\/autobiografia-de-azul\/\">Autobiograf\u00eda de azul<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2022\/08\/29\/autobiografia-de-azul\/embed\/#?secret=a9aSDTJqpM\" width=\"600\" height=\"338\" title=\"&#8220;Autobiograf\u00eda de azul&#8221; &#8212; TAIPEI\" data-secret=\"a9aSDTJqpM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2022\/08\/l87j8o-1.png","thumbnail_width":993,"thumbnail_height":548,"description":"A \"Blue\" no le interesa el espectro visible sino su respuesta tonal. Entretanto, la mirada sigue fija sobre el mundo sin bordes: una especie de melod\u00eda toma forma y nos revela aquel silencio invisible. Vemos el montaje en lo sonoro. Si bien en el cine la voz en off es un recurso extradieg\u00e9tico, en \"Blue\" pasa algo distinto. Los sonidos que escuchamos y leemos sobre el plano no son un simple veh\u00edculo del lenguaje y la expresi\u00f3n: son un conjuro(...)"}