{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Francisco Guerrero","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/franciscoguerrero\/","title":"Cr\u00edmenes perfectos - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UN8HTjArWz\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2022\/10\/05\/crimenes-perfectos\/\">Cr\u00edmenes perfectos<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2022\/10\/05\/crimenes-perfectos\/embed\/#?secret=UN8HTjArWz\" width=\"600\" height=\"338\" title=\"&#8220;Cr\u00edmenes perfectos&#8221; &#8212; TAIPEI\" data-secret=\"UN8HTjArWz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2022\/10\/Crimes.of_.the_.Future.2022.1080p.AMZN_.WEB-DL.DDP5_.1.H.264-FLUX.mkv_snapshot_00.25.39.186.jpg","thumbnail_width":1924,"thumbnail_height":1040,"description":"A la manera de algunas pel\u00edculas del cine negro, las secuencias de \"Cr\u00edmenes del futuro\" no se deslizan en pos de un claro ping pong entre causas y consecuencias. Por el contrario, se articulan como complejas postales (en cuesti\u00f3n de tono y atm\u00f3sfera) de una nueva y particular concepci\u00f3n del dolor, el placer, el metabolismo, el arte, la ley y la belleza. Siguiendo esa l\u00f3gica \"negra\", la intriga se produce al no descifrar la forma en la que responder\u00e1n esos cuerpos ante los diferentes est\u00edmulos. Lo mismo ocurre con la ley: \u00bfcu\u00e1les son los \u201cnuevos cr\u00edmenes\u201d en ese mundo sin dolor f\u00edsico?(...)"}