{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Agust\u00edn Durruty","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/agustindurruty\/","title":"La democracia en escena - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JE7nVDXAQ8\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2022\/10\/28\/la-democracia-en-escena\/\">La democracia en escena<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2022\/10\/28\/la-democracia-en-escena\/embed\/#?secret=JE7nVDXAQ8\" width=\"600\" height=\"338\" title=\"&#8220;La democracia en escena&#8221; &#8212; TAIPEI\" data-secret=\"JE7nVDXAQ8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2022\/10\/Argentina-1985.3.4.jpg","thumbnail_width":1149,"thumbnail_height":765,"description":"\"Argentina, 1985\" poco se diferenciar\u00eda de una hipot\u00e9tica pel\u00edcula oficial sobre el tema realizada en los a\u00f1os ochenta (aunque, parad\u00f3jicamente, es probable que hubiera tenido un impacto m\u00e1s disruptivo al calor de los hechos), no tanto por sus modos como por su previsible tratamiento de los sucesos representados, confeccionada como postal para los manuales de historia. No cabe duda de que una mayor perspectiva, y el propio transcurrir de los a\u00f1os, propician la indagaci\u00f3n de zonas y problem\u00e1ticas antes inexploradas(...)"}