{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Stanley Ins\u00f3lito (Pauline Kael, 1972) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IXIeIkx8bM\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2023\/03\/14\/stanley-insolito-pauline-kael-1972\/\">Stanley Ins\u00f3lito (Pauline Kael, 1972)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2023\/03\/14\/stanley-insolito-pauline-kael-1972\/embed\/#?secret=IXIeIkx8bM\" width=\"600\" height=\"338\" title=\"&#8220;Stanley Ins\u00f3lito (Pauline Kael, 1972)&#8221; &#8212; TAIPEI\" data-secret=\"IXIeIkx8bM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2023\/03\/A.Clockwork.Orange.1971.1080p.BluRay.x265-RARBG.mp4_snapshot_00.56.34.925-1024x619.png","thumbnail_width":1024,"thumbnail_height":619,"description":"Quienes creen en la censura se enfocan principalmente en el sexo y, en general, se preocupan por la violencia solo cuando est\u00e1 erotizada. Esto significa que pr\u00e1cticamente nadie plantea el tema de los posibles efectos acumulativos de la brutalidad cinematogr\u00e1fica. Sin embargo, es seguro que, cuando noche tras noche las atrocidades se nos presentan como entretenimiento, el tema merece un poco de inquietud. Si aceptamos toda esta cultura pop sin preguntarnos qu\u00e9 hay en ella, nos convertimos en naranjas mec\u00e1nicas(...)"}