{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Patricio Fontana","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/patriciofontana\/","title":"Las puertas del cielo - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dHaQIYWeOV\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2023\/04\/12\/las-puertas-del-cielo\/\">Las puertas del cielo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2023\/04\/12\/las-puertas-del-cielo\/embed\/#?secret=dHaQIYWeOV\" width=\"600\" height=\"338\" title=\"&#8220;Las puertas del cielo&#8221; &#8212; TAIPEI\" data-secret=\"dHaQIYWeOV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2023\/04\/Mount-Fuji-\u2013-The-Movement-of-Clouds-\u5bcc\u58eb\u5c71-\u96f2\u306e\u52d5\u304d-dir.-Masanao-Abe-1929-1080p_25fps_H264-128kbit_AAC.mp4_snapshot_15.17_2023.03.16_21.43.18-1.png","thumbnail_width":1437,"thumbnail_height":1080,"description":"El viernes 7 de abril presentamos en Capital Federal \"Paisajes opacos. Sobre las nubes en el cine\", primer trabajo de Taipei Libros. En \"Las puertas del cielo\", texto que escribi\u00f3 para la ocasi\u00f3n y ley\u00f3 ante los presentes, Patricio Fontana se\u00f1ala: \"El primer m\u00e9rito de los nueve ensayos que conforman 'Paisajes opacos' es la consciencia que todos tienen de ese dinamismo: de esa ausencia de un significado un\u00edvoco para las nubes. Como si la constante mutaci\u00f3n formal que las caracteriza tuviera su contrapartida en la tambi\u00e9n constante mutaci\u00f3n de c\u00f3mo interpretamos su presencia o su ausencia.\""}