{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Los escritos de Lee Russell: Fuller, Renoir, Kubrick - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"da4T9Mu8bs\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2024\/07\/26\/los-escritos-de-lee-russell-fuller-renoir-kubrick\/\">Los escritos de Lee Russell: Fuller, Renoir, Kubrick<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2024\/07\/26\/los-escritos-de-lee-russell-fuller-renoir-kubrick\/embed\/#?secret=da4T9Mu8bs\" width=\"600\" height=\"338\" title=\"&#8220;Los escritos de Lee Russell: Fuller, Renoir, Kubrick&#8221; &#8212; TAIPEI\" data-secret=\"da4T9Mu8bs\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2024\/07\/Run-of-the-Arrow-Samuel-Fuller-1957HDTVRip-PdB.mkv_snapshot_00.29.03_2024.07.25_07.00.48.png","thumbnail_width":1280,"thumbnail_height":720,"description":"A mediados de los a\u00f1os 60, el periodista, te\u00f3rico y cr\u00edtico de cine (y futuro cineasta) ingl\u00e9s Peter Wollen public\u00f3, bajo el pseud\u00f3nimo \u201cLee Russell\u201d, una serie de nueve art\u00edculos para la revista New Left Review sobre nueve cineastas diferentes, cada nota con el nombre del director en cuesti\u00f3n como \u00fanico t\u00edtulo. En este primer posteo \u2014de tres\u2014 presentamos los art\u00edculos dedicados a Samuel Fuller, Jean Renoir y Stanley Kubrick."}