{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Ramiro Casasola Lago","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/ramiro-casasola-lago\/","title":"Las tres caras de la bestia - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"clDkiy7fWu\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2024\/09\/20\/las-tres-caras-de-la-bestia\/\">Las tres caras de la bestia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2024\/09\/20\/las-tres-caras-de-la-bestia\/embed\/#?secret=clDkiy7fWu\" width=\"600\" height=\"338\" title=\"&#8220;Las tres caras de la bestia&#8221; &#8212; TAIPEI\" data-secret=\"clDkiy7fWu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2024\/09\/vlcsnap-00032-1024x553.png","thumbnail_width":1024,"thumbnail_height":553,"description":"La principal diferencia entre el cine de Hitchcock y el de Chabrol reside en que este \u00faltimo, en esencia, es un cineasta objetivo. En esta pel\u00edcula, como en muchas otras suyas, predominan largas tomas de los personajes que muchas veces son captadas desde una distancia intermediada por objetos del decorado, situando al espectador en una posici\u00f3n un tanto inc\u00f3moda de voyeur o intruso(...)"}