{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Paula Garc\u00eda Cherep","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/paula-garcia-cherep\/","title":"No ser \u00fatil - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WL5uK88GDa\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2024\/11\/27\/no-ser-util\/\">No ser \u00fatil<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2024\/11\/27\/no-ser-util\/embed\/#?secret=WL5uK88GDa\" width=\"600\" height=\"338\" title=\"&#8220;No ser \u00fatil&#8221; &#8212; TAIPEI\" data-secret=\"WL5uK88GDa\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2024\/11\/Tam.e.guilass.AKA_.Taste_.of_.Cherry.1997.576p.Bluray.AAC.x264-LAA.mkv_snapshot_00.31.44_2024.11.27_17.18.19-1.png","thumbnail_width":956,"thumbnail_height":576,"description":"Entre la infinidad de virtudes que cr\u00edticos, comentadores, estudiosos y aficionados han observado en \"El sabor de las cerezas\" se encuentran habitualmente la hermosura de los planos, la profundidad de la tem\u00e1tica, las sutilezas c\u00f3micas y la elocuencia de Kiarostami para evadir la censura iran\u00ed. Sin embargo, vale la pena llamar tambi\u00e9n la atenci\u00f3n sobre la manera en que se presenta el tema del suicidio, en tanto lo hace en la singular\u00edsima forma de lo que podr\u00edamos denominar un suicidio con otros(...)"}