{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"\u00c1lvaro Bretal","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/gdg85cx6lz\/","title":"Las mejores intenciones (6\u00b0 FICER #1) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"M5fCAqoYhR\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2024\/12\/24\/las-mejores-intenciones\/\">Las mejores intenciones (6\u00b0 FICER #1)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2024\/12\/24\/las-mejores-intenciones\/embed\/#?secret=M5fCAqoYhR\" width=\"600\" height=\"338\" title=\"&#8220;Las mejores intenciones (6\u00b0 FICER #1)&#8221; &#8212; TAIPEI\" data-secret=\"M5fCAqoYhR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2024\/12\/Monologo-Colectivo_FHD_DOWNLOAD.mp4_snapshot_00.29.25_2024.12.24_10.29.56-1024x612.png","thumbnail_width":1024,"thumbnail_height":612,"description":"Que algunas de las mejores pel\u00edculas del FICER est\u00e9n enfocadas en jugar con las distancias entre los cuerpos, a trav\u00e9s de una danza de abrazos, cari\u00f1os, distanciamientos y tiernas batallas verbales, puede pensarse, por qu\u00e9 no, como un s\u00edntoma de la \u00e9poca. Es el lenguaje de los afectos que hoy, al menos de este lado de cierta l\u00ednea de demarcaci\u00f3n, hablamos mejor(...)"}