{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Dossier David Lynch #3 - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"of7V2W4aOx\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/03\/17\/dossier-david-lynch-3\/\">Dossier David Lynch #3<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/03\/17\/dossier-david-lynch-3\/embed\/#?secret=of7V2W4aOx\" width=\"600\" height=\"338\" title=\"&#8220;Dossier David Lynch #3&#8221; &#8212; TAIPEI\" data-secret=\"of7V2W4aOx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/03\/the.grandmother.1970.1080p.bluray.x264-archivist.mkv_snapshot_20.41_2025.03.17_08.33.37-1.png","thumbnail_width":1440,"thumbnail_height":1080,"description":"Un lugar com\u00fan da por supuesto que las obras cinematogr\u00e1ficas \"oficiales\" consisten de forma casi exclusiva en los largometrajes. Esto limita de forma brutal la comprensi\u00f3n de muchas filmograf\u00edas. Por eso le dedicamos dos posteos del dossier de Lynch a algunos de sus muchos cortos y mediometrajes. En esta primera parte participan H\u00e9ctor Oyarz\u00fan, \u00c1lvaro Bretal, Nuria Silva, Iv\u00e1n Zgaib y Florencia Romano."}