{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"\u00c1lvaro Bretal","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/gdg85cx6lz\/","title":"El resto del iceberg - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2hn26tEa8X\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/04\/17\/el-resto-del-iceberg\/\">El resto del iceberg<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/04\/17\/el-resto-del-iceberg\/embed\/#?secret=2hn26tEa8X\" width=\"600\" height=\"338\" title=\"&#8220;El resto del iceberg&#8221; &#8212; TAIPEI\" data-secret=\"2hn26tEa8X\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/04\/Los.Dias_.de_.Junio_.1985.TVRip_.XviD_.MP3.CLAN-SUD.avi_snapshot_01.03.30_2025.04.17_11.37.44.png","thumbnail_width":592,"thumbnail_height":470,"description":"Viendo \"Los d\u00edas de junio\" \u2014y \"Contar hasta diez\"\u2014 uno no se ve tentado a pensar, como se\u00f1alaba parte de la cr\u00edtica y de los nuevos cineastas de los 90, que el Gran Problema del cine postdictadura eran las alegor\u00edas bajas y la baja fantas\u00eda. En estos dramas tan adultos y realistas resalta la debilidad alarmante de los guiones. Es como si el deseo por decirlo todo hubiera mutado en formas extra\u00f1as hasta alcanzar como un virus al tono de la pel\u00edcula(...)"}