{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Formas de la independencia, lado B. Entrevista a Larry Cohen (Elijah Drenner) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3X3OPCeowx\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/07\/15\/formas-de-la-independencia-lado-b-elijah-drenner\/\">Formas de la independencia, lado B. Entrevista a Larry Cohen (Elijah Drenner)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/07\/15\/formas-de-la-independencia-lado-b-elijah-drenner\/embed\/#?secret=3X3OPCeowx\" width=\"600\" height=\"338\" title=\"&#8220;Formas de la independencia, lado B. Entrevista a Larry Cohen (Elijah Drenner)&#8221; &#8212; TAIPEI\" data-secret=\"3X3OPCeowx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/07\/1985_The-Stuff.mkv_snapshot_01.17.02_2025.07.13_13.58.12.png","thumbnail_width":1280,"thumbnail_height":696,"description":"Cada tanto la gente me pregunta: \u00bfpor qu\u00e9 quer\u00e9s seguir haciendo pel\u00edculas de bajo presupuesto? Y la respuesta es que haci\u00e9ndolas de ese modo te dejan tranquilo, te dejan hacer tu propia pel\u00edcula, vos tom\u00e1s todas las decisiones, hac\u00e9s los cortes que quer\u00e9s, control\u00e1s cada elemento que forma parte de ella y pod\u00e9s contratar al mejor compositor(...) (Transcripci\u00f3n y traducci\u00f3n: M\u00e1ximo Lavaque)"}