{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Continente cr\u00edtico #3: Juliano Gomes (Revista Cin\u00e9tica) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ikRmXT6DN1\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/08\/27\/continente-critico-3-juliano-gomes-revista-cinetica\/\">Continente cr\u00edtico #3: Juliano Gomes (Revista Cin\u00e9tica)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/08\/27\/continente-critico-3-juliano-gomes-revista-cinetica\/embed\/#?secret=ikRmXT6DN1\" width=\"600\" height=\"338\" title=\"&#8220;Continente cr\u00edtico #3: Juliano Gomes (Revista Cin\u00e9tica)&#8221; &#8212; TAIPEI\" data-secret=\"ikRmXT6DN1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/08\/episodio-3-youtube-1024x576.jpg","thumbnail_width":1024,"thumbnail_height":576,"description":"Tercera entrega de Continente cr\u00edtico, un podcast de Taipei. En el a\u00f1o 2006, Cl\u00e9ber Eduardo, Eduardo Valente y Felipe Bragan\u00e7a fundaron la Revista Cin\u00e9tica a partir de la experiencia que los dos \u00faltimos hab\u00edan tenido en Contracampo, otra revista clave de la cr\u00edtica brasile\u00f1a. Al igual que El cine probablemente, que en su primer n\u00famero entrevist\u00f3 a los editores de Foco, Cin\u00e9tica, en un reconocimiento de tradici\u00f3n cr\u00edtica, inici\u00f3 su recorrido con una entrevista a los editores de Contracampo. Una certeza com\u00fan: el ejercicio intelectual nunca es en solitario(...)"}