{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Continente cr\u00edtico #5: Pablo Rold\u00e1n (Cero en Conducta) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JrlQGa43xF\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/09\/10\/continente-critico-5-pablo-roldan-cero-en-conducta\/\">Continente cr\u00edtico #5: Pablo Rold\u00e1n (Cero en Conducta)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/09\/10\/continente-critico-5-pablo-roldan-cero-en-conducta\/embed\/#?secret=JrlQGa43xF\" width=\"600\" height=\"338\" title=\"&#8220;Continente cr\u00edtico #5: Pablo Rold\u00e1n (Cero en Conducta)&#8221; &#8212; TAIPEI\" data-secret=\"JrlQGa43xF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/09\/episodio-5-youtube.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Quinta entrega de Continente cr\u00edtico, un podcast de Taipei. Cero en Conducta es un proyecto de cr\u00edtica colombiano nacido en el marco del C\u00edrculo Bogotano de Cr\u00edticos de Cine que se divide entre el papel y la publicaci\u00f3n de textos online. Cada n\u00famero es, en verdad, una revista-libro de entre 150 y 200 p\u00e1ginas. Su preocupaci\u00f3n por el presente del cine de Colombia es innegable(...)"}