{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"\u00c1lvaro Bretal","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/gdg85cx6lz\/","title":"Mirando hacia atr\u00e1s con melancol\u00eda - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vNH8mfZUig\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/09\/19\/mirando-hacia-atras-con-melancolia\/\">Mirando hacia atr\u00e1s con melancol\u00eda<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/09\/19\/mirando-hacia-atras-con-melancolia\/embed\/#?secret=vNH8mfZUig\" width=\"600\" height=\"338\" title=\"&#8220;Mirando hacia atr\u00e1s con melancol\u00eda&#8221; &#8212; TAIPEI\" data-secret=\"vNH8mfZUig\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/09\/Flop.1990.WEB-DL.720p.x264-gooz.emule_.via_.clan-sudamerica.net_.mkv_snapshot_00.27.06_2025.09.17_11.33.45.png","thumbnail_width":1280,"thumbnail_height":720,"description":"Los 80 implicaron un inicio de reflexi\u00f3n sobre el pasado, tanto cercano como distante, a partir del golpe traum\u00e1tico que signific\u00f3 la dictadura que acababa de terminar. Pero s\u00ed es posible observar, en varias pel\u00edculas, cierto tono por momentos c\u00e1ndido. En algunos casos, se trata de relatos definitivamente desprendidos de la realidad sociopol\u00edtica, que implican una relaci\u00f3n con la historia argentina desconectada de lo metaf\u00f3rico o aleg\u00f3rico que tanto se le achac\u00f3, y se le sigue achacando, al cine del per\u00edodo(...)"}