{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Los g\u00e9neros hablan (Sarah Kozloff) - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wINmdybiFS\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/10\/05\/los-generos-hablan-sarah-kozloff\/\">Los g\u00e9neros hablan (Sarah Kozloff)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/10\/05\/los-generos-hablan-sarah-kozloff\/embed\/#?secret=wINmdybiFS\" width=\"600\" height=\"338\" title=\"&#8220;Los g\u00e9neros hablan (Sarah Kozloff)&#8221; &#8212; TAIPEI\" data-secret=\"wINmdybiFS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/10\/an-affair-to-remember-2.png","thumbnail_width":1280,"thumbnail_height":536,"description":"Los g\u00e9neros var\u00edan mucho en relaci\u00f3n a qu\u00e9 actos del habla ponen en primer plano. Los melodramas utilizan los di\u00e1logos para un tipo particular de revelaci\u00f3n de los personajes: la discusi\u00f3n abierta de emociones. Como se\u00f1al\u00f3 Peter Brook en relaci\u00f3n a los melodramas teatrales: \u201cNada se entiende, todo se exagera\u201d. El deseo de expresarlo todo parece ser una caracter\u00edstica fundamental del modo melodram\u00e1tico. No se escatima nada porque no se deja nada sin decir; los personajes se ponen en escena y dicen lo indecible, le ponen voz a sus sentimientos m\u00e1s profundos, dramatizan toda la lecci\u00f3n de su relaci\u00f3n a trav\u00e9s de sus palabras y gestos exaltados y polarizados(...)"}