{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Ramiro P\u00e9rez R\u00edos","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/ramiroperezrios\/","title":"La ante\u00faltima tecnolog\u00eda - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"M7pJ3ui5a7\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/12\/05\/la-anteultima-tecnologia\/\">La ante\u00faltima tecnolog\u00eda<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/12\/05\/la-anteultima-tecnologia\/embed\/#?secret=M7pJ3ui5a7\" width=\"600\" height=\"338\" title=\"&#8220;La ante\u00faltima tecnolog\u00eda&#8221; &#8212; TAIPEI\" data-secret=\"M7pJ3ui5a7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/12\/Goodbye-Dragon-Inn-3.jpg","thumbnail_width":1280,"thumbnail_height":702,"description":"Me es inevitable no pensar en la \u00faltima frase de \u201cOntolog\u00eda de la imagen fotogr\u00e1fica\u201d, texto con el que abre \"\u00bfQu\u00e9 es el cine?\" de Bazin. Recuerdo la primera vez que lo le\u00ed, en una edici\u00f3n pirata, y recuerdo dudar si as\u00ed terminaba el texto o si se trataba de un error de impresi\u00f3n. Se trata de una frase, primera de un p\u00e1rrafo autoconcluyente, que dice: \u201cPor otra parte, el cine es un lenguaje\u201d. El libro podr\u00eda terminar ah\u00ed, en la suspensi\u00f3n de esa conclusi\u00f3n dicha as\u00ed, casi al paso(...)"}