{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"FestiFreak #20 \/ Fanzines - Tercera parte - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ei3eJNSPBY\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/12\/17\/festifreak-20-fanzines-tercera-parte\/\">FestiFreak #20 \/ Fanzines &#8211; Tercera parte<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2025\/12\/17\/festifreak-20-fanzines-tercera-parte\/embed\/#?secret=ei3eJNSPBY\" width=\"600\" height=\"338\" title=\"&#8220;FestiFreak #20 \/ Fanzines &#8211; Tercera parte&#8221; &#8212; TAIPEI\" data-secret=\"ei3eJNSPBY\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/12\/julie-darling-7.webp","thumbnail_width":1280,"thumbnail_height":720,"description":"Llegamos al final de la colaboraci\u00f3n de Taipei para la edici\u00f3n #20 del Festifreak. En esta ocasi\u00f3n, dos pel\u00edculas afines al terror, ambas de dudosa reputaci\u00f3n, que se proyectaron en f\u00edlmico en la secci\u00f3n FREAKORAMA. Ezequiel Iv\u00e1n Duarte escribe sobre \"Ruby\", de Curtis Harrington, cuyo proceso estuvo plagado de tensiones entre el director y el productor Steve Krantz, y \u00c1lvaro Bretal sobre \"Julie Darling\", de Paul Nicholas, mejor conocida en Argentina como \"D\u00e9jala morir adentro\"(...)"}