{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Agust\u00edn Durruty","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/agustindurruty\/","title":"27\u00b0 BAFICI #1 - Panorama del cine argentino - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cC0VLM622C\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/05\/10\/27-bafici-1-panorama-del-cine-argentino\/\">27\u00b0 BAFICI #1 &#8211; Panorama del cine argentino<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2026\/05\/10\/27-bafici-1-panorama-del-cine-argentino\/embed\/#?secret=cC0VLM622C\" width=\"600\" height=\"338\" title=\"&#8220;27\u00b0 BAFICI #1 &#8211; Panorama del cine argentino&#8221; &#8212; TAIPEI\" data-secret=\"cC0VLM622C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2026\/05\/orgullo-y-prejuicio.3.jpg","thumbnail_width":1304,"thumbnail_height":733,"description":"El grupo de amigos de \"Los nadadores\" bebe de la botella de Coca como intentando llenar una angustia insaciable, como en reemplazo de un \u00f3rgano lactante ausente, fijados en ese objeto fetiche de la cultura pop, o bien con a\u00f1oranza del consumismo noventista, y se sumergen en el agua como en una fantas\u00eda regresiva intrauterina(...)"}