{"version":"1.0","provider_name":"TAIPEI","provider_url":"https:\/\/taipeirevista.com","author_name":"Taipei \/ Cr\u00edtica de cine","author_url":"https:\/\/taipeirevista.com\/index.php\/author\/taipei\/","title":"Seijun Suzuki en FestiFreak \/ Fanzines - Segunda parte - TAIPEI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"H3sfi2cIqB\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/06\/15\/seijun-suzuki-en-festifreak-fanzines-segunda-parte\/\">Seijun Suzuki en FestiFreak \/ Fanzines &#8211; Segunda parte<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/taipeirevista.com\/index.php\/2026\/06\/15\/seijun-suzuki-en-festifreak-fanzines-segunda-parte\/embed\/#?secret=H3sfi2cIqB\" width=\"600\" height=\"338\" title=\"&#8220;Seijun Suzuki en FestiFreak \/ Fanzines &#8211; Segunda parte&#8221; &#8212; TAIPEI\" data-secret=\"H3sfi2cIqB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/taipeirevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/taipeirevista.com\/wp-content\/uploads\/2026\/06\/vlcsnap-2026-06-15-19h14m58s840.png","thumbnail_width":1904,"thumbnail_height":816,"description":"En esta publicaci\u00f3n les presentamos textos de Jos\u00e9 Miccio sobre \"Tokyo Drifter\" (1966) y de Karina Sol\u00f3rzano sobre \"Branded to Kill\" (1967), probablemente las dos pel\u00edculas que le significaron a Suzuki m\u00e1s \u00e9xito y reconocimiento internacional en la d\u00e9cada de 1960(...)"}