{"id":14619,"date":"2026-02-12T18:41:12","date_gmt":"2026-02-12T18:41:12","guid":{"rendered":"https:\/\/taipeirevista.com\/?page_id=14619"},"modified":"2026-02-12T18:41:14","modified_gmt":"2026-02-12T18:41:14","slug":"loop-libros","status":"publish","type":"page","link":"https:\/\/taipeirevista.com\/index.php\/loop-libros\/","title":{"rendered":"Loop Libros"},"content":{"rendered":"\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-3 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-2f3213d7 wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-14233 post type-post status-publish format-standard has-post-thumbnail category-libros tag-1960s tag-2000s tag-2010s tag-2020s tag-alfred-hitchcock tag-christian-petzold tag-cine-argentino tag-cine-de-genero tag-cine-y-literatura tag-cine-y-teatro tag-cine-y-television tag-el-pampero-cine tag-emilio-bernini tag-jack-arnold tag-lars-von-trier tag-laura-citarella tag-mariano-llinas tag-michelangelo-antonioni tag-piel-de-lava tag-poscine tag-rafael-spregelburd tag-teatro tag-veronica-llinas\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/12\/18\/el-cine-de-la-pos-serialidad-televisiva-la-figura-en-el-tapiz\/\" target=\"_self\" >El cine de la (pos) serialidad televisiva \/ La figura en el tapiz<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Con la decisi\u00f3n de que el film pueda verse \u00fanicamente en las salas, negando cualquier otra circulaci\u00f3n, y dividido de ese modo, Llin\u00e1s busca volver al cine, no salir de \u00e9l, recuperar la experiencia. En esto &#8220;La flor&#8221; realiza un doble movimiento: hacia afuera del cine, por la duraci\u00f3n, y a la vez hacia adentro,&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-12-18T16:05:06+00:00\">diciembre 18, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-13894 post type-post status-publish format-standard has-post-thumbnail category-libros tag-edgardo-pigoli tag-emilio-bernini tag-la-figura-en-el-tapiz tag-roman-setton\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/11\/28\/la-figura-en-el-tapiz-estudios-sobre-cine-audiovisual-y-literatura-emilio-bernini\/\" target=\"_self\" >La figura en el tapiz. Estudios sobre cine, audiovisual y literatura (Emilio Bernini)<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Exhibir lo que ha quedado opacado pero no a modo de secreto o interioridad, sino para se\u00f1alar y potenciar aquello que ha sido excluido de la mirada por conveniencia y\/o comodidad cr\u00edtica. Ese compromiso es la estructura de este libro. Su dimensi\u00f3n pol\u00edtica y po\u00e9tica. <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-11-28T23:43:25+00:00\">noviembre 28, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-12100 post type-post status-publish format-standard has-post-thumbnail category-libros tag-abel-posadas tag-fernando-martin-pena tag-taipei-libros\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/06\/30\/el-cine-argentino-se-fue-sin-decir-adios-escritos-reunidos-abel-posadas\/\" target=\"_self\" >El cine argentino se fue sin decir adi\u00f3s. Escritos reunidos (Abel Posadas)<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Los textos del aut\u00e9ntico Abel Posadas en &#8220;Crear&#8221; me deslumbraron. Se pod\u00eda disentir con \u00e9l en la narrativa f\u00e1ctica de algunos hechos pero su abordaje cr\u00edtico era personal\u00edsimo, original y estimulante. Para usar una frase de Alsina, era evidente que Abel Posadas pensaba solo, no estaba en ninguna troika, no le importaba quedar bien con&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-30T20:07:41+00:00\">junio 30, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-12073 post type-post status-publish format-standard has-post-thumbnail category-libros tag-jose-miccio\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/06\/24\/el-lugar-sin-limites-ensayos-sobre-cine-jose-miccio\/\" target=\"_self\" >El lugar sin l\u00edmites. Ensayos sobre cine (Jos\u00e9 Miccio)<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">\u201cUn d\u00eda descubr\u00ed que el VLC permit\u00eda capturar fotogramas y a partir de entonces ya nada fue igual\u201d, dice Jos\u00e9 Miccio en el ensayo que abre este libro. Su cinefilia es voraz; todo el cine cabe en sus an\u00e1lisis, desde la suntuosidad aristocr\u00e1tico-marxista de Luchino Visconti hasta la clase B feroz de Larry Cohen y&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-24T17:49:10+00:00\">junio 24, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-11926 post type-post status-publish format-standard has-post-thumbnail category-libros tag-1960s tag-1970s tag-albert-serra tag-claude-sautet tag-gerardo-diego tag-james-benning tag-jean-renoir tag-john-ashbery tag-john-carpenter tag-jose-miccio tag-luc-moullet tag-lucrecia-martel tag-mario-bava tag-paolo-taviani tag-raul-ruiz tag-salvador-dali tag-sergio-sollima tag-taipei-libros\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/06\/16\/el-espacio-de-la-obra-el-lugar-sin-limites\/\" target=\"_self\" >El espacio de la obra \/ El lugar sin l\u00edmites<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">El ensayista es el \u00fanico que puede hallar una salida al problema de c\u00f3mo hablar sobre lo que se resiste a ser hablado. Porque entre los discursos que secan la obra y la mudez a la que tienden los que para protegerla desv\u00edan la atenci\u00f3n hacia s\u00ed o hacia otros, establece un espacio de indeterminaci\u00f3n&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-06-16T20:25:30+00:00\">junio 16, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-11602 post type-post status-publish format-standard has-post-thumbnail category-libros tag-cine-argentino tag-cineclub-nucleo tag-domingo-di-nubila tag-fernando-martin-pena tag-gustavo-cabrera tag-hector-vena tag-homero-alsina-thevenet tag-homero-manzi tag-hugo-del-carril tag-jorge-miguel-couselo tag-octavio-fabiano tag-salvador-sammaritano tag-taipei-libros\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2025\/04\/28\/el-cine-argentino-se-fue-sin-decir-adios-prologo\/\" target=\"_self\" >El cine argentino se fue sin decir adi\u00f3s \u2014 Pr\u00f3logo<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Los textos del aut\u00e9ntico Abel Posadas en &#8220;Crear&#8221; me deslumbraron. Se pod\u00eda disentir con \u00e9l en la narrativa f\u00e1ctica de algunos hechos pero su abordaje cr\u00edtico era personal\u00edsimo, original y estimulante. Para usar una frase de Alsina, era evidente que Abel Posadas pensaba solo, no estaba en ninguna troika, no le importaba quedar bien con&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2025-04-28T15:22:03+00:00\">abril 28, 2025<\/time><\/div><\/div><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14619","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Loop Libros - TAIPEI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/taipeirevista.com\/index.php\/loop-libros\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Loop Libros - 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