{"id":14621,"date":"2026-02-12T18:48:37","date_gmt":"2026-02-12T18:48:37","guid":{"rendered":"https:\/\/taipeirevista.com\/?page_id=14621"},"modified":"2026-02-12T18:48:39","modified_gmt":"2026-02-12T18:48:39","slug":"loop-revista","status":"publish","type":"page","link":"https:\/\/taipeirevista.com\/index.php\/loop-revista\/","title":{"rendered":"Loop Revista"},"content":{"rendered":"\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-3 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-2fc57c17 wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-15506 post type-post status-publish format-standard has-post-thumbnail category-exploraciones tag-2000s tag-2010s tag-2020s tag-actuacion tag-albert-serra tag-arte-contemporaneo tag-cine-documental tag-cine-e-historia tag-cine-espanol tag-cine-indeterminado tag-cine-internacional-contemporaneo tag-cine-y-filosofia tag-cine-y-literatura tag-dramaturgia tag-estetica-del-cine tag-hans-jurgen-syberberg\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/04\/08\/el-trabajo-de-la-inocencia\/\" target=\"_self\" >El trabajo de la inocencia<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Serra menciona inadvertidamente y con regularidad el problema del rid\u00edculo, casi siempre como algo que deben abrazar los actores, una consecuencia natural y virtuosa de su entrega a la p\u00e9rdida de control de la propia imagen y su inevitable fracaso. Pero el rid\u00edculo tambi\u00e9n tiene un sentido virtuoso para \u00e9l mismo si lo pensamos en&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2026-04-08T14:23:02+00:00\">abril 8, 2026<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-15401 post type-post status-publish format-standard has-post-thumbnail category-traiciones tag-1960s tag-1970s tag-1980s tag-cine-argentino tag-cine-documental tag-cine-liberacion tag-cine-y-peronismo tag-cine-y-politica tag-fernando-pino-solanas tag-gerardo-vallejo tag-jean-luc-godard tag-jose-carlos-mariategui tag-karl-marx tag-nicole-brene tag-nicole-brenez tag-octavio-getino\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/04\/03\/paradigma-del-cine-activista-revolucionario-cine-liberacion-la-hora-de-los-hornos-nicole-brenez\/\" target=\"_self\" >Paradigma del cine activista revolucionario: Cine Liberaci\u00f3n, &#8220;La hora de los hornos&#8221; (Nicole Brenez)<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cada proyecci\u00f3n representa un peligro y crea un \u201cespacio liberado, un territorio descolonizado\u201d (Octavio Getino), en el que la pel\u00edcula pod\u00eda interrumpirse durante el tiempo que fuera necesario para los debates y las discusiones. Asistir a una proyecci\u00f3n se convierte en s\u00ed mismo en un acto pol\u00edtico, transforma a los espectadores en sujetos hist\u00f3ricos responsables,&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2026-04-03T17:50:37+00:00\">abril 3, 2026<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-15354 post type-post status-publish format-standard has-post-thumbnail category-dossier-1-relatos-domesticados tag-1960s tag-1980s tag-1990s tag-2000s tag-2010s tag-2020s tag-alejandro-fadel tag-bafici tag-benjamin-naishtat tag-buenos-aires-rojo-sangre tag-cine-argentino tag-cine-de-genero tag-cine-de-terror tag-cine-independiente tag-cine-norteamericano tag-cristian-ponce tag-demian-rugna tag-festivales-de-cine tag-laura-casabe tag-mariana-enriquez tag-natalia-meta tag-nuevo-cine-argentino tag-osgood-perkins tag-pablo-pares tag-sitges\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/04\/01\/el-nuevo-cine-de-genero-argentino-1-un-sistema-hermetico\/\" target=\"_self\" >El Nuevo Cine de G\u00e9nero Argentino #1: Un sistema herm\u00e9tico<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">En la otra punta del NCGA, en t\u00e9rminos de fecha y presupuesto, est\u00e1 &#8220;Cuando acecha la maldad&#8221;, que en pocos meses acumul\u00f3 todos los honores que puede acumular una pel\u00edcula de terror pensada para funcionar entre el gran p\u00fablico. Ya pas\u00f3 el tiempo suficiente para sospechar que este fen\u00f3meno no fue el puntapi\u00e9 inicial de&hellip; <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2026-04-01T19:29:43+00:00\">abril 1, 2026<\/time><\/div><\/div><\/div>\n\n<\/li><li class=\"wp-block-post post-15018 post type-post status-publish format-standard has-post-thumbnail category-arrebatos tag-2010s tag-2020s tag-andre-bazin tag-chris-marker tag-cine-argentino tag-cine-documental tag-cine-e-historia tag-cine-y-politica tag-matias-capelli\">\n\n<div class=\"wp-block-group\" style=\"padding-top:30px;padding-right:30px;padding-bottom:30px;padding-left:30px\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><h2 class=\"wp-block-post-title\"><a href=\"https:\/\/taipeirevista.com\/index.php\/2026\/03\/25\/bajo-las-estatuas-viven-insectos\/\" target=\"_self\" >Bajo las estatuas viven insectos<\/a><\/h2>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">La clase dominante impone sus criterios como verdades universales; el cineasta materialista va a demostrar hasta qu\u00e9 punto esos criterios son impuestos, toda vez que esa clase tiene los medios espirituales de producci\u00f3n. En este caso, los monumentos: relaciones materiales transformadas en ideas est\u00e9ticas(&#8230;) <\/p><\/div>\n\n<div class=\"wp-block-post-date\"><time datetime=\"2026-03-25T12:33:20+00:00\">marzo 25, 2026<\/time><\/div><\/div><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14621","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Loop Revista - TAIPEI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/taipeirevista.com\/index.php\/loop-revista\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Loop Revista - 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