{"id":13894,"date":"2025-11-28T23:43:25","date_gmt":"2025-11-28T23:43:25","guid":{"rendered":"https:\/\/taipeirevista.com\/?p=13894"},"modified":"2026-01-26T15:55:23","modified_gmt":"2026-01-26T15:55:23","slug":"la-figura-en-el-tapiz-estudios-sobre-cine-audiovisual-y-literatura-emilio-bernini","status":"publish","type":"post","link":"https:\/\/taipeirevista.com\/index.php\/2025\/11\/28\/la-figura-en-el-tapiz-estudios-sobre-cine-audiovisual-y-literatura-emilio-bernini\/","title":{"rendered":"La figura en el tapiz. Estudios sobre cine, audiovisual y literatura (Emilio Bernini)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><strong>Autor: Emilio Bernini<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Taipei Libros<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Edici\u00f3n: Santiago Mari\u00f1as Peque\u00f1o<\/strong><\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">A\u00f1o de publicaci\u00f3n: 2025 | N\u00famero de p\u00e1ginas: 588<\/p>\n\n\n\n<p class=\"has-small-font-size\">Tama\u00f1o: 20 x 13 cm | Dise\u00f1o: Antonella Malachite<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><em>Los ensayos de <\/em>La figura en el tapiz<em> tienen or\u00edgenes diferentes: revistas, libros y di\u00e1logos compartidos que de alguna manera han impregnado su existencia. Para muchos de nosotros, estos textos constituyen material de trabajo cotidiano. Han sido y son el centro de nuestras discusiones. Hemos sido interpelados en su defensa. Hemos atacado en el combate que resurge en las mejores clases. Nos hemos olvidado repiti\u00e9ndolos, los hemos reescrito. Esta es la \u201cb\u00fasqueda esencial\u201d de un texto. De estos. Otra vez repitiendo el esquema: vida-escritura-pol\u00edtica.<br><br>Dif\u00edcil es entender el sentido de \u201cLa figura en el tapiz\u201d. Esa dificultad que se expresa en el cuento de Henry James es la que generan palabras como <\/em>tradici\u00f3n <em>o <\/em>cr\u00edtica<em>. Son formas donde siempre se pone en juego una expectativa de poder y de apropiaci\u00f3n. Donde se busca un sentido determinante que se constituya en garant\u00eda de comodidad. La vieja mirada burguesa de la lectura. Aqu\u00ed, en este tapiz, el programa es exhibir esa figura para, apart\u00e1ndola, salirse de s\u00ed. All\u00ed est\u00e1 su logro y su lugar en el afuera. La tradici\u00f3n est\u00e1 aqu\u00ed des-naturalizada, y en ese marco la idea de que los textos de Emilio participan de lo que llamamos el \u201censayo acad\u00e9mico\u201d busca exhibir su potencia de ox\u00edmoron. El esc\u00e1ndalo l\u00f3gico.<br><br>Exhibir lo que ha quedado opacado pero no a modo de secreto o interioridad, sino para se\u00f1alar y potenciar aquello que ha sido excluido de la mirada por conveniencia y\/o comodidad cr\u00edtica. Ese compromiso es la estructura de este libro. Su dimensi\u00f3n pol\u00edtica y po\u00e9tica.<\/em><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Del pr\u00f3logo de Edgardo P\u00edgoli y Rom\u00e1n Setton<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1538\" height=\"2560\" src=\"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-scaled.jpg\" alt=\"\" class=\"wp-image-14042\" srcset=\"https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-scaled.jpg 1538w, https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-180x300.jpg 180w, https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-615x1024.jpg 615w, https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-768x1278.jpg 768w, https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-923x1536.jpg 923w, https:\/\/taipeirevista.com\/wp-content\/uploads\/2025\/11\/La-figura-en-el-tapiz-tapa-1230x2048.jpg 1230w\" sizes=\"(max-width: 1538px) 100vw, 1538px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:16px\"><a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLScxACxrfnWg3P-cF9E2GSpw6SfxERshD9kxZaISxPpCRyzfMg\/viewform?usp=header\">Adquir\u00ed un ejemplar en venta directa<\/a><br><br><a href=\"https:\/\/drive.google.com\/file\/d\/1qHkuWuwWgDkHf_vYCVlmXVmNuTjySeyn\/view?usp=drive_link\">Le\u00e9 las primeras p\u00e1ginas del libro<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Emilio Bernini es profesor de la Facultad de Filosof\u00eda y Letras de la Universidad de Buenos Aires y de la Universidad del Cine, en la que dirige la Secretar\u00eda de Investigaci\u00f3n y Posgrado. Es director de las revistas <em>Kil\u00f3metro 111. Ensayos sobre cine<\/em> y <em>La Cifra Impar. Revista de estudios de audiovisuales<\/em>. Escribi\u00f3 diversos art\u00edculos sobre cine argentino y latinoamericano, cine experimental, cine de <em>found footage<\/em> y cine contempor\u00e1neo. Entre otros libros, public\u00f3 <em>Silvia Prieto. Un film sin atributos<\/em> (Picnic) y <em>Una mutaci\u00f3n silenciosa: Los a\u00f1os ochenta en el cine de Am\u00e9rica Latina <\/em>(Cinema23). Realiz\u00f3 la edici\u00f3n de <em>Ning\u00fan lugar a donde ir<\/em> de Jonas Mekas (Caja Negra), <em>Cine y filosof\u00eda. Las entrevistas de Fata Morgana<\/em> (El cuenco de plata) y <em>Despu\u00e9s del nuevo cine. Diez miradas en torno al cine argentino contempor\u00e1neo<\/em> (EUFyL). Tradujo y seleccion\u00f3 los textos de <em>Cine, arte del presente<\/em> de Serge Daney (Santiago Arcos) y escribi\u00f3 el pr\u00f3logo de <em>Cine expandido<\/em> de Gene Youngblood (UNTREF) y el estudio para la edici\u00f3n en DVD <em>El cine experimental de Narcisa Hirsch<\/em> (MQ2). Su primer cortometraje, <em>La revoluci\u00f3n es una huida hacia adelante<\/em> (2025), tuvo su estreno en la segunda edici\u00f3n de Fuera de Campo.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:17px\"><strong><em>La figura en el tapiz <\/em>puede conseguirse en venta directa haciendo click <a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLScxACxrfnWg3P-cF9E2GSpw6SfxERshD9kxZaISxPpCRyzfMg\/viewform?usp=header\">ac\u00e1<\/a>.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibir lo que ha quedado opacado pero no a modo de secreto o interioridad, sino para se\u00f1alar y potenciar aquello que ha sido excluido de la mirada por conveniencia y\/o comodidad cr\u00edtica. Ese compromiso es la estructura de este libro. Su dimensi\u00f3n pol\u00edtica y po\u00e9tica.<\/p>\n","protected":false},"author":49,"featured_media":14043,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1078],"tags":[2132,526,2134,2133],"class_list":{"0":"post-13894","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-libros","8":"tag-edgardo-pigoli","9":"tag-emilio-bernini","10":"tag-la-figura-en-el-tapiz","11":"tag-roman-setton"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La figura en el tapiz. 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